Monday, 21 May 2012

essay Q

'Describe how you developed your skills in the use of digital technology for media production and evaluate how these contributed to your creative decision making'

Throughout the duration of producing both my AS foundation portfolio, a Music Magazine, front cover, contents page and Double page spread, and my A2 Advanced Portfolio, a Documentary Film Trailer.  The use of Digital Technology was very Important, my knowledge developed immensely from my first year of media to my second, as The type of equipment I used differed, as my primary task was print therefore my skills were highlighted through my ability to capture still images which successfully conveyed the genre of music i was attempting to capture, where as my Advanced Portfolio "The Model Industry" was shown through video format, therefore the content that i captured i had to make sure was framed well, and i used the correct shot types etc. 

During the research and planning stages of both portfolios, it was essential for me to take advantage of digital technology, the most evident use of this is the internet. Through many differing styles of sites, i was able to gather information on my chosen topic, research further into my specific genre of both magazine and film, through exploring already established media platforms and companies, magazines such as NME, POP, LOVE as well as film institutions such as the BFI as well as viewing similar films online such as 'The September Issue' and 'Page One: The Times'. Online sites to enabled me to present my findings neatly and organized on an online site called Blogger. Once my tasks where completed I was able to publish them through the means of the internet, this is mostly true for my trailer which i published on a site called Youtube, an easy and free way of displaying my product, as an established website, my work was abled to be viewed by many, which too reinforced the predominant reasonings of my expository  documentary, an attempt to advice and inform about the truth behind the glamour and make up of the model industry. Social networking sites to assisted in the development of both my products, once I had made a Questionnaire on Google Docs I was able to publish it on sites such as Facebook and Twitter where many where then able to answer the questions enabling my results to be accurate and diverse.

Although I used a camera during both portfolios, in advanced, to include still images during my final trailer. I learnt to use a camera predominantly during the stages of creating and producing my Music Magazine Tune. When capturing the images, I tried to incorporate props, an oversized teacup, which would enable the overall visual image to appear surreal and artistic, relating to my chosen genre of pop. The photos i had taken where to to become the focal images of my piece, therefore had to be unique and distinct in order to have a selling point in the present competitive market of magazine industry. 

All though I believed my images to be good, I did not see believe them to be as striking as they had the potential to be. Therefore once I had simply edited my images 
on Photoshop C3 in an effort to remove any flaws, such as making the skin of my talent, appear flawless and smooth therefore appearing professional and skilled. I downloaded my images onto an iPad where I was able to expertly change the colour of my images, using a specific photography and art app. After a series of experimenting with differing colours I decided that my images appeared more striking in the style of Pop Art, this style of imagery, enabled my image to appear bold, bright and stand out against the many magazine which fill the shelves. Furthermore through incorporating the concept of art as well as music I was able  to make my magazine TUNE, a niche product. During my Advanced Portfolio I too took advantage of an iPad, by creating the fonts and logo of my Documentary Film Trailer,by writing the title myself however using the 'digital pen' which gave the option of several types of pen and fonts such as 'Billboard' this therefore enabled me to create a font which I believed to be different to any other logo, however still appear bold, legible and professional.  As i had already used the online editing software in my foundation portfolio, when creating my trailer, these skills where transferable to my next project. 

However dissimilar to my first task, my second was to create a video formated piece of work therefore unlike previously when i predominately used a camera, I now had to change to a camcorder, earlier on in the process of researching and planning, we filmed a short sketch 'the phone call' where we filmed and then edited on iMovie, I tried various cameras and set them up with a tripod etc in order to gain knowledge that was necessary or me to know when it came to filming in order to make my trailer as best as possible. This is too true for iMovie, where I attempted to incorporate many editing techniques in order to acquire experience with this software. When it came to actual process of filming the content of my trailer, i did not believe the first camcorder I used to produce clear and defined footage, appearing blurry and jumpy, therefore I chose to re-film in hope of obtaining more defined footage, which would assist in making my final piece appear like a professional trailer. 

Finally, in an attempt present my blog posts in varied ways, I used other online programs, an example of this  slide-share, which enabled me to make interactive power-points, where I was able to highlight information i believed to be important such as codes and conventions of both forms of work. An alternate online program is PREZI, despite it allowing my research to appear organized and easy to read through its ability to zoom etc I found this software complex and hard to use therefor the use of this site was limited due to my lack of knowledge.  Furthermore during the Evaluation stages of both tasks I used Photo Booth where I filmed my  audience feedback ,and later used youtube annotation to add titles and words to highlight the opinions views and any criticism from my target demographic. 

Tuesday, 29 November 2011

jurgen

MEDIA ECOLOGY involves the study of media environments and emphasizes the social, 
cultural, and psychological impact of media and technology

In attempting to understand the role of the media in society, it is useful to use the concept of the ‘public sphere’ as an ideal, serving as a model or guide for what the media could potentially be.

The concept of the public sphere is most often associated with Jurgen Habermas, author of “The Structural Transformation of the Public Sphere” (1962) – an inquiry into a category of bourgeois society. His work took the position that the public sphere in its simplest and ideal form is a realm where opinions particularly focusing on the needs of society are freely and openly exchanged between people, unconstrained by external pressures. (Habermas 1991: 176) It can be a “virtual or imaginary community” (Soules 2001: para 2) not necessarily existing in any one space. In today’s world of ever-increasing mass global communication networks, the media in all its forms whilst far from ideal is widely regarded as the closest thing the world community has to the existence and further attainment of a public sphere. However, how comfortably does this role sit with a vehicle that is driven, fuelled and controlled by the private interests of media owners, corporate sponsors and state influence?

The public sphere has a number of interlinking functions. Through dialogue, particularly through critical discussion and debate, the public sphere generates opinions and attitudes (Soules 2001: para 2) and is a foundation for “emancipatory social thought” (Holub 1997: para 7). Ideally it is a mediator between society and state, the source of public opinion needed to affirm and guide the affairs of state (Soules 2001: para 2), and challenge and legitimize governments and authority (Rutherford 2000: 18 ). 

Habermas discovered that the first reference to the public sphere, in Germany at least, emerged in the 18th century through the growth of coffee houses, literary and other societies, voluntary associations, and the growth of the press. (Soules 2001: para 4). He also acknowledges the ancient Greek origins of the public sphere where “In the discussion among citizens, issues were made topical and took on shape…citizens interacted as equals…(and) only in the light of the public sphere did that which existed become revealed, did everything become visible to all.” (Habermas 1991: 4). Habermas has been criticized for idealizing the rational discussion of the 18th century bourgeois ignoring “ ‘the extent to which its institutions were founded on sectionalism, exclusiveness and repression.’” (Eley, 1992: 321 in Crossley 2004: 11). 

Habermas has stated that newspapers and magazines, radio and television are the media of the public sphere. Today of course we can include the internet as part of this media. 
The internet is perhaps the best example of a modern day bourgeois public sphere. It is a global space that gives ordinary people the opportunity to express and share opinions, news and information. Never before have people had the opportunity to gain previously unavailable information, share opinions and news so rapidly, and challenge authority so openly. However only around 10% of the world’s population have home access to the internet (BBC 2003: para 11) thus excluding 90% of the world’s population from having a voice in this so called global conversation. So far it doesn’t measure up to Habermas’s “ideal speech situation” which requires freedom and equality not always in existence in every society. It is however a step toward the direction of the ideal. Access is steadily increasing and it remains to be seen how much of humanity will eventually be included under this ‘public sphere’ umbrella. Habermas’s theory makes clear that “the public sphere is not a given for every type of society; nor does it possess a fixed status.” (Holub 1997: para 3)

Habermas believes Communicative Action is a primary part of the Public Sphere. This involves people coming together in discussion, responding to a particular crisis when society is not meeting their needs, or when institutions are manipulating individuals. (History of the Frankfurt School: para 3). This is openly happening on the internet with entire sites, message boards, chat rooms and blogs devoted to issues like public criticism over the invasion of Iraq and subsequent public suspicion over the U.S’s motives, debate concerning the legitimacy of the recent U.S elections and online activism dedicated to political, social and environmental change. 

Tuesday, 5 July 2011

Media Theories

The Long Tail Theory - Chris Anderson


Editor for a magazine called WIRED. The article on The long Tail Theory was published in this magazine in 2004, but he then he went onto write a book on this Theory in 2006 (published July 11th)


  • The media has changed due to the internet


The theory of the Long Tail is that our culture and economy is increasingly shifting away from a focus on a relatively small number of 'hits' (mainstream products and markets) at the head of the demand curve and towards a huge number of niches in the tail.


Might not be possible to work in cinema, as you can not download a cinematic experience, however the marketing companies could put the film on download at the same time it is being released at the cinema therefore allowing more people to be able to see it.


Participatory Culture Theory - Henry Jenkins 


Henry Jenkins is an American Scholar /academic, who works in a University. He along with others, published an article about the theory of Participatory Culture, in 2006.


A culture in which private persons (the public) do not act as consumers only, but also as contributors or producers (prosumers). The term is most often applied to the production or creation of some type of published media.


Webpage for Info


The increasing access to the Internet has come to play an integral part in the expansion of participatory culture because it increasingly enables people to work collaboratively; generate and disseminate news, ideas, and creative works; and connect with people who share similar goals and interests





  1. With relatively low barriers to artistic expression and civic engagement
  2. With strong support for creating and sharing one’s creations with others
  3. With some type of informal mentorship whereby what is known by the most experienced is passed along to novices
  4. Where members believe that their contributions matter
  5. Where members feel some degree of social connection with one another