Tuesday, 29 November 2011

jurgen

MEDIA ECOLOGY involves the study of media environments and emphasizes the social, 
cultural, and psychological impact of media and technology

In attempting to understand the role of the media in society, it is useful to use the concept of the ‘public sphere’ as an ideal, serving as a model or guide for what the media could potentially be.

The concept of the public sphere is most often associated with Jurgen Habermas, author of “The Structural Transformation of the Public Sphere” (1962) – an inquiry into a category of bourgeois society. His work took the position that the public sphere in its simplest and ideal form is a realm where opinions particularly focusing on the needs of society are freely and openly exchanged between people, unconstrained by external pressures. (Habermas 1991: 176) It can be a “virtual or imaginary community” (Soules 2001: para 2) not necessarily existing in any one space. In today’s world of ever-increasing mass global communication networks, the media in all its forms whilst far from ideal is widely regarded as the closest thing the world community has to the existence and further attainment of a public sphere. However, how comfortably does this role sit with a vehicle that is driven, fuelled and controlled by the private interests of media owners, corporate sponsors and state influence?

The public sphere has a number of interlinking functions. Through dialogue, particularly through critical discussion and debate, the public sphere generates opinions and attitudes (Soules 2001: para 2) and is a foundation for “emancipatory social thought” (Holub 1997: para 7). Ideally it is a mediator between society and state, the source of public opinion needed to affirm and guide the affairs of state (Soules 2001: para 2), and challenge and legitimize governments and authority (Rutherford 2000: 18 ). 

Habermas discovered that the first reference to the public sphere, in Germany at least, emerged in the 18th century through the growth of coffee houses, literary and other societies, voluntary associations, and the growth of the press. (Soules 2001: para 4). He also acknowledges the ancient Greek origins of the public sphere where “In the discussion among citizens, issues were made topical and took on shape…citizens interacted as equals…(and) only in the light of the public sphere did that which existed become revealed, did everything become visible to all.” (Habermas 1991: 4). Habermas has been criticized for idealizing the rational discussion of the 18th century bourgeois ignoring “ ‘the extent to which its institutions were founded on sectionalism, exclusiveness and repression.’” (Eley, 1992: 321 in Crossley 2004: 11). 

Habermas has stated that newspapers and magazines, radio and television are the media of the public sphere. Today of course we can include the internet as part of this media. 
The internet is perhaps the best example of a modern day bourgeois public sphere. It is a global space that gives ordinary people the opportunity to express and share opinions, news and information. Never before have people had the opportunity to gain previously unavailable information, share opinions and news so rapidly, and challenge authority so openly. However only around 10% of the world’s population have home access to the internet (BBC 2003: para 11) thus excluding 90% of the world’s population from having a voice in this so called global conversation. So far it doesn’t measure up to Habermas’s “ideal speech situation” which requires freedom and equality not always in existence in every society. It is however a step toward the direction of the ideal. Access is steadily increasing and it remains to be seen how much of humanity will eventually be included under this ‘public sphere’ umbrella. Habermas’s theory makes clear that “the public sphere is not a given for every type of society; nor does it possess a fixed status.” (Holub 1997: para 3)

Habermas believes Communicative Action is a primary part of the Public Sphere. This involves people coming together in discussion, responding to a particular crisis when society is not meeting their needs, or when institutions are manipulating individuals. (History of the Frankfurt School: para 3). This is openly happening on the internet with entire sites, message boards, chat rooms and blogs devoted to issues like public criticism over the invasion of Iraq and subsequent public suspicion over the U.S’s motives, debate concerning the legitimacy of the recent U.S elections and online activism dedicated to political, social and environmental change. 

Tuesday, 5 July 2011

Media Theories

The Long Tail Theory - Chris Anderson


Editor for a magazine called WIRED. The article on The long Tail Theory was published in this magazine in 2004, but he then he went onto write a book on this Theory in 2006 (published July 11th)


  • The media has changed due to the internet


The theory of the Long Tail is that our culture and economy is increasingly shifting away from a focus on a relatively small number of 'hits' (mainstream products and markets) at the head of the demand curve and towards a huge number of niches in the tail.


Might not be possible to work in cinema, as you can not download a cinematic experience, however the marketing companies could put the film on download at the same time it is being released at the cinema therefore allowing more people to be able to see it.


Participatory Culture Theory - Henry Jenkins 


Henry Jenkins is an American Scholar /academic, who works in a University. He along with others, published an article about the theory of Participatory Culture, in 2006.


A culture in which private persons (the public) do not act as consumers only, but also as contributors or producers (prosumers). The term is most often applied to the production or creation of some type of published media.


Webpage for Info


The increasing access to the Internet has come to play an integral part in the expansion of participatory culture because it increasingly enables people to work collaboratively; generate and disseminate news, ideas, and creative works; and connect with people who share similar goals and interests





  1. With relatively low barriers to artistic expression and civic engagement
  2. With strong support for creating and sharing one’s creations with others
  3. With some type of informal mentorship whereby what is known by the most experienced is passed along to novices
  4. Where members believe that their contributions matter
  5. Where members feel some degree of social connection with one another